Showing posts with label Cornel West. Show all posts
Showing posts with label Cornel West. Show all posts

Friday, December 28, 2012

Filmmakers Call For More GOP Action in Urban Areas & Supporting Tim Scott

SHAMROCK STINE PRODUCTIONS LLC

FEAR OF A BLACK REPUBLICAN

NEWS

 
December 27, 2012 
FOR IMMEDIATE
RELEASE
                                                                                                                        
                                                                            

FEAR OF A BLACK REPUBLICAN filmmakers call for
more gop action in urban areas &
support of new senator tim scott
Documentary Examines Issues GOP and Scott Will Face in 2013 And Beyond
Trenton, NJ – Director Kevin J. Williams and Producer Tamara E. Williams are challenging the current Republican National Committee leadership to learn from the 2012 Presidential Election and change its ways.  The FEAR OF A BLACK REPUBLICAN filmmakers stated, “Our experiences as Republicans in an Urban area inspired us to make our film and try to help make the GOP better.  While we captured the life experiences of Black Republicans, Urban Republicans and others struggling within our political system… we found that many people of all political stripes and demographics are being ignored by both political Parties.  This situation must change and change now.”

Director Kevin J. Williams continued, “South Carolina’s Governor Nikki Haley appointing Representative Tim Scott as that state’s junior Senator is a great start and we call on the GOP to support his re-election with all the money and resources it can muster.  More importantly though, the Republican Party at the national, state and local levels must stop being afraid to take the ball and run with it.  If the Republican Party does not begin to work now to improve its standing with Minority voters and Urban voters, we are afraid that our Party will lose in 2014 and 2016.  Then it will be just a matter of time until it goes out of existence and joins the Whig Party on the ash heap of history.”

FEAR OF A BLACK REPUBLICAN has been seen by thousands of Americans and has screened before diverse audiences in Atlanta, GA; Charlotte & Greensboro, NC; Wilmington, DE; Kansas City, MO; Buffalo & Rochester, NY; Trenton, NJ; Portland, OR; Washington, DC; Philadelphia, PA; Montgomery, AL; Jackson, MS; Dallas & Waco, TX; Tucson, AZ; Albuquerque, NM; Salina KS and Chicago, IL.  Former Republican National Committee Chairman Michael Steele attended both the New Jersey and Washington, DC Premieres and participated in Q&A sessions with audiences lasting over ninety minutes each.  More screenings of the controversial documentary feature film are expected nationwide in 2013.  The trailers for FEAR OF A BLACK REPUBLICAN can be viewed on the film’s own website, as well as the YouTube, Apple iTunes and Vimeo websites. 


Synopsis:  Filmed and edited over a six year period, FEAR OF A BLACK REPUBLICAN examines why there are so few Black Republicans (and by extension, other Minorities) and how this affects the U.S. political system.  The film begins with a simple question… Does the Republican Party really want more African Americans? To get an answer, independent filmmaker Kevin J. Williams takes a non-partisan journey over two Presidential Elections to find out why there are so few Black Republicans and what that means for the future of the Two-Party Political System in America.

From the Civil War to the Great Depression, the GOP was the Party for many African-Americans, but today, barely 10% of African Americans consider themselves to be Republican and Urban areas are no longer considered competitive parts of America’s Election map. Beginning in his hometown, Williams speaks with BOTH Democrats and Republicans as he takes a personal and humorous look at his own Republican Party’s efforts in urban areas versus the suburbs, the Democratic Party's success in retaining the African American vote, the seeming phenomenon of Black Republicans and what this all means for America. FEAR OF A BLACK REPUBLICAN gives audiences of all Demographics and Political Persuasions a ground-breaking and moving view of American Politics.

During the film’s journey, Williams speaks with scholars such as Professors Cornel West and Howard Taylor; and newsmakers such as Michael Steele, former Chairman of the Republican National Committee; Presidential candidates Mitt Romney, Mike Huckabee and John McCain; former Governor Christine Todd Whitman; Commentators Tavis Smiley and Michelle Malkin; political leaders, including past RNC Chairman Ken Mehlman, Congressman Peter King and Governors Jim Gilmore and Sonny Perdue; Conservative thinkers such as Newt Gingrich, Grover Norquist and Ann Coulter; and the first and last Black Republican Senator popularly elected since Reconstruction, former Senator Edward Brooke of Massachusetts, amongst others. Congresswoman Maxine Waters, Senator and President-Elect Barack Obama, President George W. Bush and Vice-President Dick Cheney also appear in the film, along with very rarely seen archival footage of Reverend Martin Luther King, Jr., Vice-President Richard M. Nixon and the great baseball pioneer Jackie Robinson. The film also examines the History of the Republican Party since its founding. 

FEAR OF A BLACK REPUBLICAN is available on DVD at its own website and Amazon.com and also on VOD streaming via its own website and Apple iTunes.

The film has received Print, TV and Radio coverage from the Washington Post, Philadelphia Inquirer, Current TV's THE WAR ROOM WITH JENNIFER GRANHOLM, HUFFINGTON POST LIVE, Christian Broadcasting Network's The Brody Files, Al Jazeera's INSIDE STORY, the Mark Davis Radio Show, Steve Deace Show, Michael Eric Dyson Show, Chris Stigall Show, Victoria Taft Show, The Voice of Russia and many others.

 To learn more about the film or view the film’s trailers, please go to www.fearofablackrepublican.com.

 

APPROX. 111 MINS               Printed in U.S.A.    4:3 aspect ratio

THIS FILM HAS NOT BEEN RATED

 

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Wednesday, August 17, 2011

Kansas City, Here We Come!

Today, we are just over two weeks out from our first screening at a film festival.  We are fortunate to have been invited to screen our film at the Kansas City Urban Film Festival (KCUFF) in Kansas City, MO.  This growing festival (in its 3rd year) takes pride in showing films made “by any means necessary.”  Given our history in making our film on our own dime and time, its sounds like the perfect place for us.  KCUFF… here we come!  

After our series of small screenings in the last month or so, it feels good to be able to get our film to another part of the country and to get more feedback.  We are incredibly happy with the response to our little documentary epic so far.

Not too many have people seen our film yet, but those that have seen FEAR OF A BLACK REPUBLICAN have been moved by what they have seen and experienced.  When about 90% or better of the audience stays after your film for your Q&A (and all the audiences have been made up of various demographics and political persuasions), you know you probably have something special.  And we do.  The questions and discussions have been tough and have ranged from the film itself to current events to personal testimonies backing up much of what we show on-screen.  And those are just the things that are said in public.  Privately, the conversations we have had with some members of the audience have been quite moving and inspirational.

For example, after one of our Wilmington screenings, we met a White Republican City Council candidate who busted his @## campaigning in the Black community (on his own, without Party support – he was  first-timer).  He lost by only 300 votes in a City of 70,000 people.  Just imagine what he could have done if he had some real Party support!  In Greensboro NC, we met a large man who otherwise could be the twin brother of NFL All-Pro Wide Receiver & “Dancing With The Stars” Winner, Hines Ward.  After the movie, I asked him if he liked it.  He promptly told me that he didn’t, primarily because we didn’t interview… RON PAUL???  Where’d that come from?  Wow.  Well, I explained that we never even got in physical proximity to Ron Paul (let alone, I’m not sure Congressman Paul would have much to say on the subject of our film anyway).  We did have an interesting discussion about the two-party system and the media with this man.  Not sure if he ended up a fan of the movie or of us, but we gave him a copy of our movie poster anyway.

In Charlotte, a great moment occurred when a middle-aged lady (who “came out” as a Black Republican a few years earlier) asked the White members of the audience if they had ever been called a “racist.”  Most sheepishly nodded their head, “yes.”  This same women then looked over to four White audience members who were sitting together (she didn’t know that they were members of our family) and promptly told them that they needed to “get over being called a racist” and to “stop being afraid and start coming into the community.”  That was moving, cool and awesome (and a little funny, too).

In Atlanta, we had several people trade in their GREEN LANTERN tickets to come see our film instead after they saw our movie poster in the lobby.  That was… you name the positive adjective.  Unfortunately, these nice folks hadn’t heard about FEAR OF A BLACK REPUBLICAN because their big, local newspaper – the Atlanta Journal-Constitution – refused to cover or review our film.  And this was after their Film Critic (who was VERY interested in seeing our film) asked me to get him a copy of our film RIGHT AWAY.  So, we Fed-Exed-Overnight a DVD Review Copy to him at a cost of $52.00).  Now before you call us naive, the Atlanta Journal-Constitution is the “New York Times of the South” and well, you do have to hope for the best.  Getting our film reviewed or having our World Premiere covered in that paper would be HUGE for a small film like ours.

Unfortunately, the film critic’s Assignments Editor who received our package - sat on the film and ignored our press release, our phone calls and our e-mails after Fed-Ex kindly delivered our DVD to her.  After I e-mailed the Critic to find out if he got the DVD, I received an e-mail telling me to contact his Assignments Editor.  Which I did by telephone and as she didn’t pick up, I left a message.  I didn’t get a call back, but I did get an e-mail from the Assignments Editor that she would try to watch our movie that very night and if it went well – she would meet with a few reporters in the next morning.  Oh, and I should feel free to call her and check in again.  So I did. Then, I did again. And again.  I wasn’t being a pest about it as I spread my phone calls out over the next week.  I even e-mailed the Critic again but heard nothing.  I’m sure he is a nice guy who was just stuck in as a bad a situation with this as we were.   My final phone calls to the Atlanta Journal-Constitution came from a busy truck stop in Northern Georgia as we drove down from New Jersey a few days before our Premiere.  

Long-story short… the Film Critic, who is a well-known and distinguished writer, probably never even got our film.   If the Assignments Editor wanted to hurt our film (and we don’t know if this was her intention or not), she did a good job -  as did others.  Because also we sent the press release, sent e-mails, sent postcards and made phone calls to several other Atlanta Journal-Constitution employees.  No where, no where did a mention of our film make it into their paper.  Even though about 25% of our film takes place in Atlanta and the surrounding area. 

Even without their coverage, we still got the small weekly papers to cover us and they did some nice pieces on us and our film.  We still had a great “World Premiere” Screening/Q&A for those who came, including some of the Atlanta folks who appear in our film.  The crowd would have been a lot larger if the local “newspaper of record” at least mentioned our Screening as a community event listing.  I’m just sayin’.  

Well, the next day (after our World Premiere) and after all our ignored requests – we left Atlanta for our next screening in Charlotte NC, but had to make a little detour first.  Our Co-Producer Tamara, wanted to stop by the Atlanta Journal-Constitution headquarters to get our DVD back from the Assignments Editor.  Now, that our Premiere was over – they surely wouldn’t need our DVD, right?  The nice security guard that Tamara spoke with kept trying to contact said Assignments Editor, but to no avail.  For whatever reason, she fortunately decided to get a Coke or something and happened by the Security Guard booth.  The guard called out to her, then introduced her to Tamara.  After pretending she barely heard of our film before, she promised to send our DVD back.  That was eight weeks ago and we are still waiting.  Go figure.

Even though our media coverage wasn’t the best, we did get to meet a lot of great people, exchange political views with Republicans and many, many Democrats.  And we did start building “word of mouth” on our film.  Having done all this on our own, our Southern Tour was worth it in spades.  There is no feeling like showing your film in a movie theater when the lights go down.  A wide-screen TV or computer screen can’t compete.  It is simply an amazing feeling you can’t duplicate anywhere else and we recommend to any other indie filmmakers out there to do it at least once.  Just for yourself as an artist.  However, don’t count on getting coverage from the bigger media outlets even if you work super-hard to get it.  Make sure you hit the smaller outlets, just do it at least 3-4 weeks out and have plenty of production stills (that gets you extra page space and “visually” helps sell your film).  Trust me, we can’t thank these smaller publications enough.

How will we get to more movie theaters around the country?  We are working hard on that.  All we can say is that word is getting around.  Which is great because we’ve had to prove that there is a market for a film like ours.  The Kansas City Urban Film Festival will hopefully be a capstone for proving that there IS a market for our film like ours and also serve as a great kick-start for the future.  We are working hard sending postcards (200+), e-mails, press releases and this week, making phone calls in order to pack the 150-seat theatre (at the Screenland Crossroads) that we will be screening in.  Tickets will be available soon at http://www.screenland.com/crossroads#Coming

We are expecting a great Screening and Q&A in Kansas City.  If you can make it there, please join us.  If you can’t make it, hopefully you’ll get a chance to see our film in the future in a theater or on DVD.

Take care, be well and please go see an independent film as often as possible.

Slainte.