Saturday, October 6, 2012

Why All Americans Should Worry About One Little Filmmaker With Baggage


A few weeks ago, we all learned about the terrible attacks upon our Embassy in Cairo, Egypt and our Consulate in Benghazi, Libya.  Our Ambassador Christopher Stevens, a good man by all accounts, and Sean Smith, Tyrone S. Woods and Glen A. Doherty were murdered in Benghazi by Islamist extremists led by an Al Qaeda member released from Gitmo (Prisoner #557).  As bad as these events were, what was almost as bad was and is the Obama Administration’s lack of focus on the real threat involved.  Instead, they responded to these incidents by blaming them on an obscure, poorly-made film called The Innocence of Muslims.  Actually, it was just a fourteen-minute film trailer, but that isn’t the point. 
The INNOCENCE OF MUSLIMS Filmmaker

From jump, the scape-goating of this YouTube film trailer and its filmmaker for the murder of our Ambassador and his staff (as well as nearly twenty other riots in Europe and the Middle East) doesn’t pass the “scratch and sniff” test.  As a matter of fact, it doesn’t pass the “Remember the Maine” or “Gulf of Tonkin” tests either.  It has become obvious that Secretary of State Hilary Clinton, President Barack Obama, U.S. Ambassador Susan Rice and their many surrogates and spokesmen needed and spun a cover story and reason for Benghazi, et al.  I’d bet that most Americans didn’t expect our current Administration to trade away our very “American” concept called Freedom of Speech in exchange for some political and election year “C.Y.A.”
Freedom of Speech is protected in the First Amendment to our U.S. Constitution (ratified December 15, 1791):  Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof; or abridging the freedom of speech, or of the press; or the right of the people peaceably to assemble, and to petition the Government for a redress of grievances.

The above words guarantee that short of endangering others by shouting “fire” in a theater… we can and should say what we want to as best we can.  It is why every American is able to say what the heck we want to, either verbally, written or through an art medium without repercussion by law enforcement officials or any suppressor.  Even though the decades-long war on Free Speech by many on the Left has succeeded on many levels due to the Mainstream Media’s enforcement ability, we as a people still have the right to say what we feel or think at any moment.  Little movies like Innocence of Muslims have a right to be made and be seen, just as much bigger films in the past like Citizen Kane (1941), The Last Temptation of Christ (1988), and Last Tango of Paris (1972) faced censorship and banning issues.  These films were still seen by the People and their respective filmmakers, Orson Welles, Martin Scorsese and Bernardo Bertolucci all went on to make more films and had fruitful careers and lives. 
Lives.  An important word to remember, because our Federal Government went out of its way to vilify the filmmaker, Nakoula Basseley, and put him at risk just like the late Theo Van Gogh who made a ten-minute film about violence against women in some Islamic societies called SUBMISSION (2004).  In November 2004, Mr. Van Gogh was riding a bicycle when he was stopped and murdered by a jihadist named Mohammed Bouyeri.  Mr. Bouyeri shot him eight times before stabbing him with a five-page note affixed to a dagger in case anyone was confused.  The note credited the murder to Theo Van Gogh's film and his views regarding the Islamic religion. 

WikiMiniAtlasTheo Van Gogh, Filmmaker of SUBMISSION


Some in our Mainstream Media camped out at the INNOCENCE OF MUSLIMS filmmaker’s house, publicizing his name and address and in doing so, they put this man’s family and neighbors at jeopardy.  Was this responsible journalism? Of course not.  Was it responsible government to make this film such an international and possibly deadly issue? Definitely not.  Our Federal Government eventually asked YouTube and other on-line websites to remove the film from public view.  These requests were denied.

The way that our Secretary of State, President and other Administration members tried to spin the actions of thousands of foreign militant and paid protesters should be frightening to any champion of civil liberties for all.  The pressure exerted by our Federal Government to shut down this obscure, six-month old film after building it up to the infamy of 
TRIUMPH OF THE WILL (Leni Riefenstahl, 1935) was schizophrenic, self-serving and dangerous.  No matter what the message or quality of this little film  or the filmmaker’s shady past, he has an artistic freedom, a voice and the American right to Free Speech and Freedom of Expression on his side.  Unfortunately, our current national leaders chose not to respect all the above, but to use this man to shield themselves from any blame in the deaths that came in Benghazi. 

It should be obvious to most anyone that this film was plucked from Los Angeles, California (and the internet) and transported to the Mediterranean Sea.  If our Government would do this to a Filmmaker of Faith with little, observed talent… what would or could this same Government do to a Left-wing Filmmaker of no Faith and plenty of talent?  Or a filmmaker who tries to make a film that is just Pro-American or simply holds themes not in vogue with individuals living in the White House or controlling Capitol Hill. 

Just recently,
some pro-Israel signs in the New York City Subway system were defaced by private citizens.  But after being defaced, these signs were then targeted for removal by the same Government agency which sold the signs’ Sponsor its advertising space for them in the first place.  Rather than go after the “Defacers,” the Government agency decided to ban what it called “divisive speech that may incite violence.”  First, a movie and its filmmaker gets attacked and fileted by our Federal Government. Now, a pro-Israel group gets attacked by an Egyptian activist and her comrades and then undercut by a local Government.  Free Speech loses, political correctness and political expediency wins.
I am reminded of the famous Martin Niemoller quote, “First they came for the socialists, but I wasn’t a socialist… Then they came for me, and there was no one left to speak for me.”  No melodrama here, but the silence in our National Media and especially in Hollywood has been deafening.  My gut tells me that a lot of folks are more concerned than they are letting on, but they have a donkey in the current election and they want to win in the short-term more than protect their own Free Speech in the long-term.  Sadly, like in the famous quote, it will be too late for their Free Speech to survive unless they think more like an American and less like a political partisan.   

The INNOCENCE OF MUSLIMS filmmaker is now in jail and looking at a two to three-year prison sentence for violating parole because he used a computer in the making of his film.  While he shouldn’t have violated parole, isn’t it unseemly and cowardly to pick up the guy for questioning and then imprisoning  him… for making a crummy film trailer about Islam.  Our Administration blames this filmmaker for inciting riots half-way across the world, when there is no evidence whatsoever to prove this.  Some honest members of the Press, like Fox News’ Kirstin Powers (a Democrat) and the Administration’s Secretary of Defense Leon Panetta (another Democrat), saw this effort for what it was - a cover story and bad one at that.  They called the Libyan events what they were… terrorism. 

Libyan President Mohamed Yousef el-Magariaf said that this was a pre-planned attack by Al Qaeda and an act of terrorism, but the Administration sticks to its story.  For some reason, “terrorism” seems a word that our President will not mention regarding this incident.  “Terrorism” also seems to be a word that much of our Mainstream Media is afraid to ask about in their coverage of Ambassador Steven’s assassination while they help assail a small filmmaker and his right of Free Speech.  While these Media Members “go along to get along,” they are not seeing that their future and their right of Freedom of Speech have been attacked also. 

Will these Media Members figure this out before their own heavy-handed Government and the foreign terrorists who want to take away their right to free speech put them out of business?


What Clint Eastwood Did Last Night...

As a Filmmaker who happens to be Republican, I want to share a few thoughts about Clint Eastwood's speaking at the Republican National Convention last night.  Clint is an artist and if you don't know, one who changed the Hollywood system when he became one of the first Actors to become a Director with PLAY MISTY FOR ME (1971).  Working in the film industry myself, I feel a great kinship with Clint as a fellow filmmaker and as someone who is politically active on a local level.  And like millions of other Americans, I was very curious and being a Republican and a Filmmaker - very pumped to hear what he would say about this current Election.


Needless to say, Clint exceeded my expectations in ways I didn't consider before I turned on my TV last night.  I expected him a take on his now infamous Super Bowl Car Commercial from this past February.  Wrong!  Clint would just trot out, give an enhanced Oscar speech with a few great lines punched up with a Dirty Harry reference or mention that being the Mayor of Carmel, CA was more Executive experience than our President had. Wrong!  I thought he would take back his "It's Halftime" line from said Super Bowl commercial and say something like "Now this here in Tampa... this is Halftime" in his great, gravelly voice.  Wrong!  Finally, I thought "well, he has TROUBLE WITH THE CURVE coming out next month and won't do anything to hurt his movie or his chances for one last Best Actor Nomination (lots of buzz on this).  Wrong Again!

What Clint did last night was nothing less than extraordinary and a great, self-less sacrifice for his Country and his fellow Americans.  By taking the stage last night and employing the empty-chair prop, Clint did what no other Republican or Mitt Romney could ever do... make it okay to make fun of the President and humanize him for his decisions, his choice of focus and most importantly, his choice of who he represents.  Clint humanized the President and brought him down from the self-created (and self-restricting) lofty heights of the "untouchable" to the human level of "touchable."  In my opinion, the President's Media and Campaign Guard have built an artificial castle wall around the President to his detriment.  If President Obama and his Party play it smart and humble, we may find that Clint's empty chair may help Obama 2012 because of such humanization.  However, that isn't likely and I think Clint probably took this possibility into account before last night.

Clint knew well before he flew to Tampa, got into a car and arrived at the Convention that he was going to get drilled for what he was about to say and do.  He knew that the National and International Media would try to take out him, his persona, his incredible record as a filmmaker and his beliefs in right and wrong.  He also knew that his chances of being invited to the Academy Awards one last time as a Nominee would be done as soon as the lights came up.

Clint also spoke out on behalf the thousands of us in the film and entertainment industry who cannot speak because we must fear loss of jobs, loss of opportunity or if you are an independent filmmaker... any consideration of your talent before your political or religious beliefs.  Yes, Clint is an A-Lister quite familiar with success and having every actor in Hollywood wanting to work for him.  His position in the film industry is safe (for now), but that could change as he tries to make his last few films.  Clint, like any artist, is always looking for the next great story and inspiration and hoping he can try and make a masterpiece better than his last one.  After an almost 60-year career, Clint still needs to get financing from someone and that number of someones might be shrinking right now.  As a film-lover and fan of Clint's directing style, I hope he doesn't face retribution for last night's empty chair moment.  This man of good humor and grace has too much to offer us.


If you have not seen the great film GRAN TORINO (2008), you should.   Like this weekend.  For you will see Clint at his best as an Actor/Director and you will see what I feel was the inspiration for Clint's trying to help his Country turns things around last night.  At the end of GRAN TORINO, an older self-made gentleman named Walt Kowalski sacrifices himself in order to save his neighborhood and the good, defenseless people living in it.  These folks didn't look like or talk like Walt.  They may not have shared all his beliefs.  But what Walt does at the end of the film (I won't tell you what he does), gives these good people a chance to change their destiny and be the best that they can be.  That is what one Clint Eastwood bravely did last night.  He told the American People that they are the best and he gave them a chance to be the best that they can be.  Hopefully, like Walt's Hmong immigrant neighbors in GRAN TORINO, we will make the most of it.

Kevin Williams
Director/Co-Producer,
FEAR OF A BLACK REPUBLICAN
www.fearofablackrepublican.com